(MFA Thesis exhibition at Hunter College, CUNY, 1982)
The viewer is asked to lift a panel on the work in order to see the text below. It is a viewer participatory installation piece about the Vietnam War.
It represents a woman’s stance against the Viet-man war using self-portraits of the artist in bondage (exterior panel) and various paraphrased articles and texts about the war (interior).
notes from written script
Public horror - private pain
United by symbolic fabrics (writing) text paraphrased from the books about the war
Juxstaposed against image photographed by the artist depicting self as sex and vicitm